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I've been involved in broadcast radio and TV since 1975, when I joined the BBC. In 1983 I moved to London and became a sound recordist, becoming freelance in 1987. Some while ago - when I was feeling a little despondent about the way sound often seems to take second place in television - I discovered the Institute of Broadcast Sound. |

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The IBS was formed in 1977, to allow like minded operational staff working in broadcast sound to discuss equipment, practises and generally disseminate knowledge gained within our industry. We are a group of largely operational sound balancers, mixers, and recordists having at some time in our careers attained a supervisory level. Members of the IBS are to be found in Radio and Television around the world, centred on the UK. We number around 700, and our highly-praised magazine, Line Up, is distributed every other month free to all members, with a tightly controlled subscription list bringing the total circulation to over 6000. The aim of the IBS is to promote discussion in the professional aspects of broadcast sound engineering, and to assist in maintaining standards through training and discussions. We regularly hold meetings with manufacturers and suppliers in the UK. In the past few years meetings have included lectures by Nagra, Dolby, and AVID, we've visited the BBC Research Centre in Kingswood Warren, the Soundcraft factory and HHB, and have had open workshops on stereo and timecode techniques. |
| The IBS has an extensive web site here |
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Begun in June 1995, IBSNET is a discussion group linking nearly 500 broadcast
sound engineers world-wide. Participants are
largely members of IBS, though we do invite sponsor manufacturers and suppliers as
guests to discuss their products with us. I'm pleased to say that many have told me they now depend on
IBSNET as an important source of information.
email
IBSNET if you want to know more about the IBS or IBSNET. |
This page was last updated: Tuesday, 01 April 2008 (at 09:56)